Say it.Your film is done.
A Reels ad, a TV spot or a complete short film: describe it in a chat. Vilko writes the script, generates it take by take, composes music over your cut and masters it for every screen. You never edit anything.
From $165/mo · No contract · Your first month for $79, a special price
La Espiga BakeryAd · 9:16 · 30s
Comes out ready for every screen
From one sentence to a finished video
Three steps. The first two take you five minutes. The third one Vilko does without you.
You tell it
You say what you want — an ad, a short, whatever it is — and who it's for. Vilko asks five to seven short questions, no twenty-field forms, and the script comes out of that.
You approve the look
Before a single frame is generated, it shows you three looks painted for your story — the light, the colour and the lens — and your cast's faces in their 4K sheets. You pick. That's where the whole video's look gets decided.
You get it finished
Vilko generates take by take, reviews each one, cuts it to time, composes the music, places the sound and masters the mix. It lands ready to post.
What happens in those nine minutes
From the moment you approve the spend to the email with your video. A 30-second ad takes about nine minutes; a 90-second one, about twenty. None of these steps are yours to do.
The only thing you see is the finished video in your inbox. The rest runs on our servers, even if you close your laptop.
- 01
Five to seven questions, and the script
Vilko asks what a director would ask and writes the script take by take. You read it, change it in the chat and approve it.
No forms, no twenty-page brief.
- 02
Character and object sheets
Every face, every product and every object that matters gets locked in a 4K reference sheet. It's what keeps the actor from changing faces between take 1 and take 9.
Character sheets, made and approved before you spend.
- 03
Three looks for your story
Three ways it could look, painted from your answers: the light, the colour and the lens, without giving away faces or places — the video brings those. Plus a library of lighting setups to pick from in the chat. You choose one and the whole piece obeys it.
Up to here, not a single frame of video has been generated.
- 04
Generation, take by take
Each take is generated with Seedance 2.5 from its prompt, its sheets and the look. The system writes the prompt; a 10-second clip takes a little over two minutes.
You never pick a model or write a prompt.
- 05
Director's review at 12 frames per second
Claude Opus 5.5 watches every take the way a director would: continuity within and between takes, color and light against the look, physics and logic, text, anatomy, pacing, and whether the take tells what you asked for. A separate detector hunts for flicker and jumps across all 24 real frames.
Eyes on every take, not on a sample.
- 06
The fixes you never see
Whatever fails gets fixed up a ladder, cheapest first: trim, color correction, VFX, regenerating only the bad stretch and, last, regenerating the whole take. Until it's right, within each piece's budget.
No attempt reaches you or costs you.
- 07
The cut, and music composed over it
Approved takes get cut to time, with your logo and your text already inside the picture. Only then is the music composed while watching that cut, so the accents land on the cuts and the track ends with the last frame.
Music made to fit, not a library track.
- 08
Master per screen, and delivery
The email with your cut arrives. You approve it, pick a destination and the master ships in native 1080p, with each platform's loudness. Want it in 4K? We upscale it with AI and email you when it's ready.
A file ready to post, not a clip to edit.
Everything a production takes, handled
This isn't a pretty-clip generator. It's the whole job: structure, continuity, review and sound.
It writes the script, not just the prompt
If it's an ad: hook, benefit and call to action. If it's a story: setup, turn and payoff. Real structure, not pretty-video structure.
One look for the entire video
Light, lens and palette get decided once. Every take obeys that decision.
The same actor in take 1 and take 9
Cast sheets lock face, wardrobe and age. The face doesn't change mid-sentence.
Every take is reviewed before you see it
An AI director — Claude Opus 5.5, by Anthropic — watches every take at 12 frames per second, and a separate detector hunts for flicker and jumps across all 24 real frames. It checks continuity, light against the look you chose, physics, text, anatomy and pacing, and whether the take tells what you asked for. Whatever fails gets fixed or regenerated. You never see the error.
The music is composed over the locked cut
The edit gets locked first. Then the music is composed while watching that cut, so the accents land exactly on the cuts and the track ends with the last frame.
Sound placed event by event
The crust cracking, the door, the engine, the logo hit. Each effect is generated and placed on its exact second.
Mastered audio, not just mixed
It comes out at the right loudness for each platform. Not quiet on Instagram, not crushed on YouTube.
Seven things you can ask it for
You pick the format and Vilko fits the script, the pacing and the framing to what that format needs.
From the 15-second ad to the full-length film
Same chat, same rule: you describe, Vilko delivers finished. The only thing that changes is the ambition.
Series and features open by invitation — tell us about your project in the chat.
What a commercial costs today
Market rates in Mexico and the US for a 30-second spot.
Agency ranges are market estimates, not quotes. They vary a lot by city and by production company.
It isn't a model generator. It's the video, done.
In Higgsfield, OpenArt and the other model generators, you operate the tool. In Vilko you describe what you want and receive the finished piece.
Who a generator is better for
If you already know how to prompt, want to pick the model and control every frame, a model generator is a better tool than Vilko: more control and more options per clip. Vilko isn't cheaper per clip — it sells the finished result. It's for whoever wants the video done, not the tool to do it.
Higgsfield and OpenArt are trademarks of their owners; they're mentioned only to compare ways of working.
If a take comes out wrong, it gets regenerated. At no extra charge.
An AI director reviews every take at 12 frames per second before approving it: continuity, light against the look, physics, text, anatomy and pacing. If something fails, it's trimmed or color-corrected first, then VFX, and only as a last resort regenerated as many times as it takes, without you ever seeing the error.
- Every take reviewed at 12 frames per second
- Continuity between takes verified
- Quoted before anything is generated
- You never pay for a video you didn't approve
Bill the video. Don't produce it.
Spots, campaigns and series for your clients, under your brand. It's built for you. Show three versions in the meeting instead of a moodboard, deliver the same day, and keep the margin that goes to a production company today.
A workspace per client
Each account with its own brand kit, cast and history. Nothing bleeds across.
Delivered under your brand
The client gets the video from the agency. Vilko appears nowhere.
Three versions in the time a meeting takes
You present real options, not a moodboard and a promise.
Audio stems, separated
Music, voice and effects on independent tracks in case your editor wants to get in there.
What you buy is finished videos
Every plan comes with finished videos each month — Lite, two 15-second ones; Pro, eight — counted by the second, so you split them however you like: Lite's 30 seconds make two 15s, one 30s or three 10s. A 10-second video uses 10, never credits. You always see how much a video uses before anything gets generated, and quality doesn't depend on the plan: everything ships in native 1080p, and in 4K if you ask for it. Prices in US dollars (USD), plus tax.
Lite
To try the system on something real.
2 videos of 15s a month
Or one 30s, or three 10s · 30 seconds in total
- Every second counts the same, in any format
- Script, music and mastered audio
- Fixes included
Starter
For a business that posts every week.
4 videos of 15s a month
Or two 30s, or one 1-min · 1 minute in total
Everything in Lite, plus
- Consistent characters across videos
- Vertical, square and horizontal formats
Pro
The one almost everyone buys.
8 videos of 15s a month
Or four 30s, or two 1-min · 2 minutes in total
Everything in Starter, plus
- Your brand kit applied automatically
- Reusable cast library
- Changes by chat included
Studio
For the business that publishes for real.
14 videos of 15s a month
Or seven 30s, or a 3½-min short · 3½ minutes in total
Everything in Pro, plus
- Short films built from your plan's time
- Locked cast across projects
- Priority support
Business
For a brand with a content calendar.
22 videos of 15s a month
Or eleven 30s, or a 5½-min short · 5½ minutes in total
Everything in Studio, plus
- A/B variants of the same script
Agency
For agencies that bill video instead of making it. A workspace per client, delivery under your brand and 36 videos of 15s a month.
- Separate workspaces per client
- Brand kit per client
- White-label delivery
- Separated audio stems
- Seats for your team
- Priority production queue
36 videos of 15s a month: or eighteen 30s, or a 9-min short · 9 minutes in total. Prices in US dollars (USD), plus tax.
30 more seconds
More time when your plan's runs out. It's an add-on to your plan, not sold on its own, and it never expires.
Your first month · special price
The full Lite plan — two 15s videos, with their changes included — and from the second month, $165 a month. Cancel anytime.
No. An editor gives you tools and you do the work. Vilko does the work and hands you the final file. There's no timeline to learn, no layers, no render settings. If you want to change something, you say so in the chat.
You can — and if you already know how to prompt and want full control over every clip, they're the better tool. There, you pick from hundreds of models, write the prompts, build the character sheets by hand, review every clip with your own eyes, regenerate by hand and buy credits that expire. Vilko does all of that for you and hands you the finished video, with music and a master. It isn't cheaper per clip: it sells the result.
Everything that isn't video, and none of it costs you: five to seven questions, the script take by take, the character and object sheets, three look proposals, each with its own image, and a library of lighting setups to pick from in the chat. No video is generated until you say yes.
Because it isn't a clip, it's the piece. In those minutes every take gets generated, an AI director reviews each one at 12 frames per second, whatever fails gets fixed or repeated, the cut gets assembled and the music gets composed over it. A 30-second ad comes out in about nine minutes; a 90-second one in about twenty. The generator's two-minute clip is the first step, not the last.
Every take is watched by Claude Opus 5.5 (Anthropic) at 12 frames per second at 768 px, the way a director would: continuity within and between takes, color and light against the look you chose, physics and logic, text, anatomy, the pacing you asked for, and whether the take tells what you said in the chat. A separate detector hunts for flicker and jumps across all 24 real frames.
It gets fixed up a ladder, cheapest first: a trim or a color correction (free), then VFX, then regenerating only the bad stretch and, last, regenerating the whole take. Until it's right, within each piece's budget. You only see the version that passed, and none of the attempts cost you anything.
If it's a technical failure, the AI director catches it before you see it and it gets fixed on its own, at no cost. If it's well made but you don't like it, you say so in the chat and only the part that didn't work gets redone: every video comes with changes included, and if you want more, they use your plan's time.
Yes, by chat, on the delivered video: “shorter ending”, “different music”, “that sign in blue”. The cheapest fix that solves it is the one applied; changing the music, for instance, doesn't touch a single frame. Fixing something that came out wrong never counts. Changes that regenerate video are measured in seconds: every video comes with changes included and anything beyond that uses your plan's time; trims, music, voice, text and color don't count. Adding something that wasn't there gets quoted before it's done.
No. Every video comes out clean, with no watermark, and it's yours to use commercially.
Yes. You upload your brand kit once and Vilko applies it on its own across every video: colors, typography, where the logo goes and how long it stays on screen.
Yes, and it's one of the things that works best. Your cast is saved: the same salesperson, the same family or the same dog shows up across the whole campaign with the same face.
By video, counted by the second. Every plan comes with videos each month — Lite, two 15-second ones; Pro, eight — and since they're counted by the second, you split them however you like: Pro's 2 minutes make eight 15s, four 30s or two 1-minute ones. A 10-second video uses 10; a 45-second one uses 45. Delivering it in another format (vertical, square, horizontal) uses the same time as the piece. You always see how much time it uses before anything is generated — there are no surprises at the end of the month.
Plan time renews monthly and doesn't roll over. Time you buy separately never expires.
That's what the Agency plan is for: a separate workspace per client, their brand kit, delivery under your brand instead of ours, separated audio stems and seats for your team.
You do. You can use them in paid advertising, on your site, on television, wherever you want.
Say it. Your film is done.
Your first month for $79, a special welcome price: two finished 15-second videos, with their changes included. No contract — cancel anytime — and no opening a video editor in your life.