What everyone asks first

No. An editor gives you tools and you do the work. Vilko does the work and hands you the final file. There's no timeline to learn, no layers, no render settings. If you want to change something, you say so in the chat.

You can — and if you already know how to prompt and want full control over every clip, they're the better tool. There, you pick from hundreds of models, write the prompts, build the character sheets by hand, review every clip with your own eyes, regenerate by hand and buy credits that expire. Vilko does all of that for you and hands you the finished video, with music and a master. It isn't cheaper per clip: it sells the result.

Everything that isn't video, and none of it costs you: five to seven questions, the script take by take, the character and object sheets, three look proposals, each with its own image, and a library of lighting setups to pick from in the chat. No video is generated until you say yes.

Because it isn't a clip, it's the piece. In those minutes every take gets generated, an AI director reviews each one at 12 frames per second, whatever fails gets fixed or repeated, the cut gets assembled and the music gets composed over it. A 30-second ad comes out in about nine minutes; a 90-second one in about twenty. The generator's two-minute clip is the first step, not the last.

Every take is watched by Claude Opus 5.5 (Anthropic) at 12 frames per second at 768 px, the way a director would: continuity within and between takes, color and light against the look you chose, physics and logic, text, anatomy, the pacing you asked for, and whether the take tells what you said in the chat. A separate detector hunts for flicker and jumps across all 24 real frames.

It gets fixed up a ladder, cheapest first: a trim or a color correction (free), then VFX, then regenerating only the bad stretch and, last, regenerating the whole take. Until it's right, within each piece's budget. You only see the version that passed, and none of the attempts cost you anything.

If it's a technical failure, the AI director catches it before you see it and it gets fixed on its own, at no cost. If it's well made but you don't like it, you say so in the chat and only the part that didn't work gets redone: every video comes with changes included, and if you want more, they use your plan's time.

Yes, by chat, on the delivered video: “shorter ending”, “different music”, “that sign in blue”. The cheapest fix that solves it is the one applied; changing the music, for instance, doesn't touch a single frame. Fixing something that came out wrong never counts. Changes that regenerate video are measured in seconds: every video comes with changes included and anything beyond that uses your plan's time; trims, music, voice, text and color don't count. Adding something that wasn't there gets quoted before it's done.

No. Every video comes out clean, with no watermark, and it's yours to use commercially.

Yes. You upload your brand kit once and Vilko applies it on its own across every video: colors, typography, where the logo goes and how long it stays on screen.

Yes, and it's one of the things that works best. Your cast is saved: the same salesperson, the same family or the same dog shows up across the whole campaign with the same face.

By video, counted by the second. Every plan comes with videos each month — Lite, two 15-second ones; Pro, eight — and since they're counted by the second, you split them however you like: Pro's 2 minutes make eight 15s, four 30s or two 1-minute ones. A 10-second video uses 10; a 45-second one uses 45. Delivering it in another format (vertical, square, horizontal) uses the same time as the piece. You always see how much time it uses before anything is generated — there are no surprises at the end of the month.

Plan time renews monthly and doesn't roll over. Time you buy separately never expires.

That's what the Agency plan is for: a separate workspace per client, their brand kit, delivery under your brand instead of ours, separated audio stems and seats for your team.

You do. You can use them in paid advertising, on your site, on television, wherever you want.